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Saturday, July 24, 2021

THE RED BALLOON (aka LE BALLON ROUGE)

 
Publicity poster for the English version of The Red Balloon (© Albert Lamorisse/Films Montsouris/Lopert Pictures/Films Distribution/Janus Films – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Who remembers The Red Balloon? This thoroughly enchanting work of deceptively simple yet simply spectacular cinematic genius is a very famous French fantasy featurette – Le Ballon Rouge to give it its original French title – which was released in 1956 but remains totally timeless. Just 35 minutes long, it was filmed in the picturesque Ménilmontant region of Paris, some of which has since been demolished, thereby rendering this film a unique window into a bygone world.

The Red Balloon stars the director (and writer) Albert Lamorisse's own young son, Pascal, as the small boy who unexpectedly encounters and makes friends with a large sentient red balloon. The balloon duly follows him everywhere he goes, even to school and church, while teasingly staying just out of reach of the boy's hand for much of the film whenever he tries to seize the cord hanging down from it.

Overall, therefore, there is little in the way of a major storyline, for the most part just a boy and a balloon playing chase and hide-and-seek with one another amid the traditional narrow streets and lanes of Ménilmontant, and virtually no dialogue either, which greatly enhanced its international appeal upon release. Yet somehow, magically, The Red Balloon makes for compulsive, spellbinding viewing. This in turn makes the shock climactic scene all the more harrowing when it happens, but equally the redemptive, inspirational ending is heartwarming and transcending.

So too is the charming, melodic music composed by Maurice Le Roux, especially the main theme, which I've never forgotten in more than 50 years since first hearing it. Roux's lilting score provides a perfect accompaniment to this light, delicate cinematic masterpiece – one that very skillfully and sensitively combines childish innocence, loneliness, friendship, love, grief, and hope to create something very special, something far greater and much more moving than the sum of its individual components.

 
My copy of the UK edition of the hardback annual-format official book of The Red Balloon, written by the film's director, Albert Lamorisse (© Albert Lamorisse/George Allen and Unwin Ltd – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

The Red Balloon deservedly went on to win an Academy Award for Best Original Screenplay, and numerous other movie awards too. I remember it very fondly from my childhood, when it was shown several times on British TV, and I also bought the UK edition of this film's hardback annual-format official book, which I still own today. Originally published in 1957, the book retells the story of The Red Balloon, and is lavishly illustrated throughout with colour and b/w photographs taken during the latter's filming.

More recently, I purchased and viewed the official DVD of The Red Balloon, and I'm very happy to say that it was still just as magical, poignant, but ultimately uplifting – in every sense! (you need to watch its ending to know why I use that description!) – as I'd remembered it from all those years ago when originally seeing it on TV as a child.

But don't just take my word for it. Currently, The Red Balloon is available to watch for free on YouTube by clicking here – so if you've never watched it, don't miss this golden opportunity to do so, while it is still uploaded there. I promise that you won't regret – or forget – viewing this absolutely delightful mini-movie.

Indeed, The Red Balloon even inspired one of my poems that I wrote long ago, simply entitled 'The Balloon', which is included in the two published compilations of my poetry – Star Steeds and Other Dreams, and More Star Steeds and Other Dreams. It can also be read directly on my official  Star Steeds companion blog by clicking here.

To view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 
French publicity poster for The Red Balloon (© Albert Lamorisse/Films Montsouris/Lopert Pictures/Films Distribution/Janus Films – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

 

Wednesday, July 14, 2021

AFTER EARTH

 
The official UK DVD for After Earth (© M. Night Shyamalan/Columbia Pictures/Overbrook Entertainment/Blinding Edge Pictures/Relativity Media/Sony Pictures Releasing – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

My DVD movie watch on 11 June 2021 was a sci fi film set in the very distant future that did fairly well at the box office but apparently was absolutely hated by the critics – so obviously I loved it! Its title? After Earth.

Conceived and co-produced by American blockbuster actor Will Smith, directed and also co-produced by M. Night Shyamalan, and released by Sony Pictures in 2013, After Earth takes place in the year 3071, and stars Smith alongside his real-life son Jaden, Moreover, they play father and son roles in the movie too. Namely, Cypher Raige, leader of a peace-keeping organization in Space known as the Ranger Corps, and his Ranger-in-training teenage son Kitai.

They are the only human survivors when, following bombardment by an asteroid shower, their spacecraft crash-lands on Earth, from which humanity evacuated centuries ago to another planet (Nova Prime) far away after having destroyed Earth's global ecosystem – or so they thought. It turns out that in the absence of bad old Homo sapiens, good old Mother Nature has restored ecological equilibrium and now Earth is once again a thriving, verdant planet populated with all manner of species – all of which, however, are seriously hostile to humans.

In addition, a monstrous blind but fear-sensing alien creature known as an ursa, held captive on the spacecraft, has survived the crash too but has escaped. Cypher Raige is trapped inside the craft with two broken legs among various other injuries, and is becoming ever weaker, but the craft's severed tail piece containing the only beacon that can alert a rescue team is over 100 km away. So Kitai, who is shocked but physically uninjured, has to face a perilous journey through the great unknown of Earth's wilderness in order to reach the tail piece and fire off the beacon.

En route, Kitai is confronted by all manner of dangerous beasts, including a troop of bloodthirsty baboons, a venom-injecting water parasite, a huge teratorn-like bird of prey, a pack of re-evolved sabre-toothed big cats, a flying snake, and, inevitably, the escaped ursa. The only way of surviving an ursa encounter is to ghost – i.e. adopt a state of mind entirely free of fear, so that the ursa cannot sense you while you stalk and kill it. But can the inexperienced, untrained Kitai achieve this extraordinary feat of mental control?

Due to After Earth's relatively modest box-office performance, the planned franchise that was to have been launched on the back of it never took off, which is sad, as I feel that it offered much promise. Also, some quite lengthy footage showing the back-story of humanity's desecration and desertion of Earth followed by the resettlement of our species far away on Nova Prime was deleted before this movie's final version was released, which again I personally feel is a great shame.

Certainly, for me, After Earth is a very entertaining, absorbing film, full of tension and anticipation, with the two Smiths portraying their respective roles effectively enough, especially lead actor Jaden in his, and the CGI monsters are superb. True, I would have liked to have seen more of the ursa – it is evident that a great deal of thought went into its creation by the CGI animators – but its relatively brief climactic battle with Kitai is well worth the wait.

If you’d like to watch a preview of After Earth, click here to access an official trailer for it on YouTube; and click here if you can't wait to watch the entire movie in order to view Kitai's fearless battle with the ursa while doing his utmost to perpetuate his all-encompassing ghosting state of mind.

To view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 
An ursa, from After Earth (© M. Night Shyamalan/Columbia Pictures/Overbrook Entertainment/Blinding Edge Pictures/Relativity Media/Sony Pictures Releasing – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)