POST #300 - MY THIRD, FULLY-UPDATED, ALL-TIME TOP REVIEWS LISTING ON SHUKER IN MOVIELAND

Following a tradition begun with my 100^th Shuker In MovieLand blog post (of 6 December 2020), when I listed what was at that time this blog's all-time top 10 movie/TV reviews as measured by reader hit counts (click here to access it), and continued with my 200^th blog post (of 13 January 2022), when I presented an updated top 10 listing (click here to access it), I am now, with this, my 300^th blog post (of 5 June 2023), presenting the very latest listing. But this time, for added interest and because of the considerable quantity of movies plus TV shows now reviewed on my blog, I am presenting not merely a top 10 but rather a top 20.

As in the earlier two, each of this third listing's 20 movie/TV reviews is presented as a clickable link, together with its original publication date on my blog, so that you can access it directly from this page to read in full if you so wish. Also, where applicable, each movie's position in my previous, second listing is given here in blue brackets. So here it is:

#1        The Lost Continent (4 April 2021) (#1)

#2       Ron Stryker's Motorbike and the Lightning Tree – Revisiting Follyfoot ((16 February 2022)

#3       Oliver in the Overworld/Little Big Time (15 February 2022)

#4       9 (2 March 2022)

#5        Horns (28 February 2022)

#6       Rumble Fish (28 April 2022)

#7        Rock 'N' Roll Cowboys (6 March 2022)

#8       The Prisoner (7 May 2022)

#9       Chander Pahar (aka Mountain of the Moon) (4 June 2022)

#10     From Selkies to Space Vampires (14 April 2021) (#2)

#11      Shadow of Death (aka Destroyer) (1 May 2021) (#3)

#12      Fade To Black (30 March 2022)

#13      Rock 'N' Roll High School (14 February 2022)

#14      Angels and Panthers and Yetis, Oh My! (25 April 2022)

#15      Land of Doom (aka Raiders of Death) (19 March 2022)

#16      The Singer Not The Song (12 February 2022)

#17      Carmen Jones (30 April 2021) (#4)

#18     Wish Dragon (11 June 2022)

#19      Mune: Guardian of the Moon (26 May 2022)

#20     The Sin Eater (aka The Order) (30 May 2022)

Only two movies from my second top 10 listing back in mid-January 2022 retain a place in this latest, third one, indicating that newer movie entries swiftly draw interest away from older ones. But of these two exceptions to that apparent rule, The Lost Continent retains not only a place in this new listing but also the very same place as before – i.e. right at the top, at #1, and via an appreciably higher hit count than even the entry directly below it at #2, let alone all of the other 18 in this top 20 listing. Why this relatively obscure, unremarkable horror/monster movie should have attracted such considerable interest from readers is a complete mystery to me, but it's an interest that shows no sign of waning. Indeed, if Shuker In MovieLand stays in existence long enough to reach a 400^th blog post and thus the compilation of a fourth top 10 or 20 listing, it wouldn't surprise me at all to find that The Lost Continent is still residing tenaciously at its summit.

Equally odd is that the majority of the movie reviews contained in this top 20 were  all posted within a very narrow period of time, spanning a mere 4 months, from 12 February 2022 to 11 June 2022 inclusive. So why were these specific reviews, and/or that particular time period, so inordinately, disproportionately effective in attracting high readership counts? Again, I have no idea.

Moreover, as with the two previous listings, I see no patterns or trends emerging as to which genres are represented in this latest one, nor the proportions of such representations. Indeed, the only aspect of this entire listing exercise that I feel certain about is that when it comes to movies and viewers' movie tastes, nothing is ever certain!

Finally: to view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 

RUMBLE FISH

 

My official UK DVD of Rumble Fish (© Francis Ford Coppola/Zoetrope Studios/Universal Pictures – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Last night's movie watch was the iconic early-1980s rebel film Rumble Fish, based upon American authoress S.E. Hinton's eponymous 1975 novel that I read so very long ago as a teenager.

Directed by Francis Ford Coppola, who also co-wrote its screenplay (with Hinton), and released by Universal Pictures in 1983, Rumble Fish centres around an aloof but charismatic motorbike-riding character in his early 20s who is referred to only as The Motorcycle Boy (hereafter TMB in this review for brevity), and is played to perfection as a veritable flawed, earthbound demi-deity (at least in the worshipping eyes of those around him) by the then young and equally charismatic Mickey Rourke.

TMB was once the greatest gang leader in his district of Tulsa, Oklahoma, until he eventually decided that gangs and rumbles were boring, for losers, and single-handedly broke up all the gangs and ended all the rumbles before abruptly disappearing who knows where on his motorbike. Left behind is his slightly younger, idolising brother Rusty James (Matt Dillon), who seeks to emulate TMB and gain the respect among the district's teenage delinquents that he still holds, even in his absence. However, Rusty James (everyone always calls him by his full name for some unexplained reason) has neither his brother's brain nor his mystique to do so.

And then, out of the blue, TMB returns. He has been to California to seek out their mother, who abandoned the family when they were only small children, the shock of which sent their father (Dennis Hopper) spiraling downward into abject alcoholism. TMB arrives back in town just in time to rescue his brother (hereafter RJ for brevity) after he has been stabbed in a fight during the resurgence of gangs and rumbles that has begun during TMB's AWOL.

From then on, we watch how RJ's grip on the leadership of his buddies progressively slips, finally ousted by supposed friend Smokey (a young Nicolas Cage, nephew of Francis Ford Coppola), who also steals his girlfriend Patty (Diane Lane). And after being mugged in an alley, RJ even loses his grip on himself, literally, when he seemingly undergoes a brief out-of-body experience, floating eerily but unseen through the air as he looks down upon his erstwhile compatriots grieving at his apparent death – or was it all just a fevered dream, experienced by him before regaining consciousness after the mugging?

Meanwhile, TMB is just as enigmatic as ever, his succinct comments betraying an erudite, highly intelligent mind that totally surpasses RJ's in every way. But is he really merely enigmatic, or, as others and even his own father suspect, might he actually be insane?

RJ hero-worships TMB too much to permit such doubts to linger in his own far less astute, knowledgeable mind, until the fateful day when he finds TMB in a pet shop, seemingly entranced by a series of small aquaria each containing a single male Siamese fighting fish, some of which are bright red, others blue. TMB tells RJ that they are rumble fish, so aggressive that they will even attack their own reflection in a mirror, which he demonstrates. TMB says that they should be free, in a river, not imprisoned in glass tanks.

That night, while taking RJ for a motorbike ride, TMB turns up at the pet shop, now closed for the evening, and decides to break in to free the fish. Even RJ realises the folly of such a plan, and pleads with him not to do so, but TMB's mind is made up. However, neither of them spies the shadow of a longstanding enemy close by, watching them, armed with a gun and an abiding, obsessive hatred of TMB. Two irrationally-minded entities are about to violently interact head-on, just like a couple of rival rumble fishes, but who – if either one of them – will emerge triumphant?

Rumble Fish is an engrossing, highly memorable movie, very atmospheric visually due to its plethora of smoke and shadows, but rendered even more so by being shot almost entirely in black-and-white, which thereby directly presents to the audience TMB's distinctive vision of the world, as it is revealed early on in the film that he is colour-blind (he is also partially deaf). There is only one major monochromatic exception – the Siamese fighting fish are always filmed in full colour (as is a police car's flashing red siren seen briefly near the end).  Also of note, literally, is the music score, composed and performed by none other than Stewart Copeland, who at that time was also the drummer in the highly successful British rock group The Police.

Dillon puts in a dynamic, muscular performance as rebellious, wannabe gang leader RJ, and is the movie's top-billed star. However, Rumble Fish indisputably belongs to Mickey Rourke – second-billed he may be, but he expertly portrays TMB as a super-cool yet inscrutable, innately dangerous, and quite possibly deranged loner, ostensibly laid-back but in reality perpetually poised and ready to spring into unpredictable yet most probably ultra-violent action should the need arise or his fuse be lit.

If you'd like to pay a visit to the dark, ominous, uncertain world of TMB and RJ, be sure to click here to watch an official Rumble Fish trailer on YouTube.

To view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 

My paperback edition of Rumble Fish (© S.E. Hinton/Dell Publishing – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)