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Showing posts with label Robert Carlyle. Show all posts
Showing posts with label Robert Carlyle. Show all posts

Tuesday, January 12, 2021

THE WAR OF THE WORLDS (BBC TV mini-series, 2019)

 
Publicity poster for The War of the Worlds mini-series (© Craig Viveiros/Mammoth Screen/BBC/Creasun Media/Red Square/ITV Studios Global Entertainment – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

In memory of my good friend Terry Cooper, who shared my love of science fiction/monster movies and TV shows, and without whom there would not have been Shuker In MovieLand. Please see my tribute to Terry at the end of this review.

 

I am remaining in TV mode as opposed to film mode for this latest Shuker In MovieLand review, in order to recall a science fiction mini-series that I watched on BBC TV when it was first screened here in the UK just over a year ago.

On 29 December 2019, I completed watching on the BBC's iPlayer online catch-up service the then recently-screened 3-episode TV mini-series adaptation by BBC1 of the classic H.G. Wells science fiction novel The War of the Worlds, first published in 1898. Directed by Craig Viveiros, it included the likes of Rafe Spall, Eleanor Tomlinson, Robert Carlyle, and Rupert Graves among its cast.

I hadn't originally planned to view this show, because all of the TV critic reviews of it that I'd read were unremittingly scathing. Then I suddenly realised: Hold it just there, since when have I ever taken notice of critics' comments concerning TV shows, movies, books, or anything else for that matter?? I'll make up my own mind, thank you very much! So I duly watched it and, quelle surprise, I very much enjoyed it!

True, the storyline in this newest version of The War of the Worlds veers profoundly in places from that of the original novel, in particular featuring what is initially a confusing but frequent interchange of time periods, flicking back and forth between the initial Martian invasion and heartrending scenes of devastation several years later with ragged human survivors huddled in refugee camps eking out a meagre existence beneath a smoky-red sky. Nevertheless, for me these changes are intriguing and attention-capturing, giving a new but by no means uninteresting spin on the familiar plot presented in the novel.

Conversely, I feel that the PC lambasting of the British Empire's perceived superiority of itself back in the day, and of conquerors' inhumanity to the conquered, are heavy-handed to say the least. It is also uncalled-for in the context of this series' subject, especially given that its setting has been advanced from the original novel's Victorian England to that of Edwardian England, which means that imperialism and imperialistic views were, rightly or wrongly, still very prevalent in society at that time.

Also, the Martians' form as portrayed here – that of huge three-legged spider-like entities whose limbs each terminate in a sharp point lacking any kind of digits – signally fails to elucidate how they could have constructed their space craft and their gigantic tripodal perambulating craft that fire death rays and emit toxic smoke, which kill people and block out the sun.

Memorably, the conclusion of this War of the Worlds mini-series provides no unequivocal victory or redemption for the human race or for planet Earth as a whole. However, the very last moments in the final episode, focusing upon the emergence of a small green plant amid the dying invasive red Martian moss and the sun beginning to break through the rusty smog, offers hope for our world's future, which is all that anyone can ever have, even at best, and never more so than during these present bedeviled times.

If you would like to watch an official trailer for The War of the Worlds, please click here to view one on YouTube.

And to view a complete listing of all of my Shuker In MovieLand blog's other film/TV reviews and articles (each one instantly accessible via a direct clickable link), please click HERE! 

 
Confronted by one of the Martians (© Craig Viveiros/Mammoth Screen/BBC/Creasun Media/Red Square/ITV Studios Global Entertainment – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

I wish to dedicate this Shuker In MovieLand review to one of my all-time best friends on Facebook, Terry Cooper, from Illinois, USA, without whom this blog would not even exist. For it was Terry who first suggested to me, and then actively encouraged me, to devise and launch it back in July 2020, knowing of my passion for movies and TV, and he always read with great interest and enthusiasm each review that I subsequently uploaded to it.

Today I awoke to the devastating news that Terry had passed away unexpectedly. His brother Daryl, another of my longstanding FB friends, kindly informed me – thank you Daryl. Never a day went by without Terry sending me either on my FB timeline or in one of my FB groups a humorous news report that would make me smile, or a friendly joke in relation to something that I'd posted, an ever-present ray of light amid so much darkness all around, especially during the past fraught year. But now that ray of light, that beacon of joy, that font of friendly laughter, is gone from my life and from the lives of all of those countless other persons who were, like me, fortunate enough and honoured enough to have known Terry and to have counted him – like I did and always shall – as a good and staunchly loyal friend.

God speed, Terry, how I shall miss you, but you are in a better place now, secure in the divine embrace of God, freed from the worries and woes that beset us here in this misery-laden mortal plane. May you rest in peace, safe in the knowledge that you were loved by so many of us and that your presence here made such a positive, uplifting difference to our lives. You will never be forgotten, you will live on in our fond memories forever. God bless you, Terry, one day we'll meet again, my friend.

 
My good friend Terry Cooper – RIP Terry (© Terry Cooper)

 


Friday, August 7, 2020

YESTERDAY

Publicity posters for Yesterday (© Danny Boyle/Perfect World Pictures/Working Title Films/Decibel Films/Dentsu Inc./Universal Pictures)

Imagine (see what I did there? No? You will!) that you're a struggling pop singer/songwriter and hardcore Beatles fan riding your bicycle one night when you collide with a truck, and at the very same moment the world's entire electricity supply inexplicably turns itself off for 12 seconds all over the globe simultaneously. You wake up somewhat bruised, battered, and missing two front teeth but not seriously hurt in a hospital where your #1 fan and best friend, who is also your manager, is there to greet you and make light of it all. Everything seems the same, until you happen to sing and play on your guitar the world-famous Beatles song 'Yesterday' to your manager and some other friends, and are totally bewildered when none of them claims to have ever heard it before, or to have ever heard of the Beatles!

You go home, google the Fab Four frantically, and are stupefied to discover that there is no record whatsoever of their very existence, let alone their music, and, speaking of records, all of your Beatles LPs, singles, and CDs have vanished from your music collection. Not only that, also gone from your world with no trace that they had ever existed are Coca-Cola (shock, horror!), cigarettes (shock, horror!), Harry Potter (shock, horror!), and Oasis (every cloud... 😃). Only you know of the Beatles and, significantly, only you know their songs, their tunes, their lyrics... What would you - a struggling singer/songwriter but uniquely aware of arguably the greatest collection of pop songs ever written by a single band - do?

That is the tantalising but also mind-blowing premise of the movie Yesterday, which, appropriately enough, I saw at my local cinema yesterday [i.e. 30 August 2019, the day before I wrote the original, shorter version of this present review]. A wonderfully quirky and thoroughly enjoyable fantasy romp directed by Danny Boyle and with a screenplay by Richard Curtis, it stars Himesh Patel as said singer/songwriter Jack Malik, Lily James as his manager/best friend/unrequited love interest Ellie, and Joel Fry as his hilariously useless but ultra-loyal roadie Rocky.

It also features Ed Sheeran as, yes indeed, Ed Sheeran, who 'discovers' Jack, and Kate McKinnon as Debra Hammer, the truly voracious L.A. agent that Ed introduces to Jack and who turns him into a global mega-star but has an acerbic line in vituperative insults so vitriolic that they would make even the late, great Joan Rivers blanch and blush in equal amounts. There are wonderful cameos too from the likes of Sarah Lancashire, James Corden (as himself), and a marvellously comic performance from Meera Syal and Sanjeev Bhaskar as his devoted yet incorrigibly disinterested parents.

All sorts of plot twists and turns occur along the way, including a meeting with a still very much alive but wholly reclusive 78-year-old John Lennon (presented as a veritable Lennon facsmile courtesy of a thoroughly brilliant yet mystifyingly uncredited performance by Robert Carlyle), a romantic sub-plot, plus, obviously, plenty of Beatles songs.

What more could anyone ask for, even though the unconscionably evil persona of uber-agent Hammer would make even Maleficent look like Cinderella??
 
Finally: be sure to click here if you'd like to view the official trailer for Yesterday.

And to view a complete listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE!