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As well as a zoologist, biker, media consultant, and author specialising in cryptozoology and animal mythology, I've always been a dedicated movie buff, enjoying a diverse range of cinematic genres - from monster movies, horror, animation, musicals, and sci fi, to fantasy, comedy, super-heroes, and much more. Now I'm reviewing and alerting readers to an ongoing selection of my favourite (and not-so-favourite) films here – time for Shuker In MovieLand!!
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Showing posts with label Hell Comes To Frogtown. Show all posts
Showing posts with label Hell Comes To Frogtown. Show all posts
Tuesday, September 15, 2020
THEY LIVE
Publicity
poster for They Live (© John
Carpenter/Alive Films/Larry Franco Productions/Universal Pictures/Carolco
Pictures Pictures – reproduced here on
a strictly non-commercial Fair Use basis for educational/review purposes only)
A few months ago I had never heard of the
American wrestler/movie star Rowdy Roddy Piper, but then I viewed the hilarious
cult sci-fi movie Hell Comes To Frogtown
starring him as Sam Hell (click here
to read my review of it on Shuker In MovieLand). On 26 June 2020, I
watched another sci-fi movie, and he turned out to be the star of that one too.
This latter movie was They Live, directed by John Carpenter
and originally released in 1988, which interestingly follows a similar
storyline to a movie that I had watched just a couple of days before, The Arrival (click here to read my SIML review of it). Both
movies deal with aliens living surreptitiously on Earth
and taking control of it without most humans being any the wiser.
In They
Live, a small band of humans have discovered that the aliens are
subliminally subjugating humanity using a transmission beamed from a TV
station, but these humans have invented special sunglasses that when worn
reveal the aliens' true form - humanoid bodies but frightening skull-like heads
- and expose otherwise-subliminal messages on placards, in books, on TV, etc
that order humans to obey, submit, stop thinking, and so forth.
Rowdy's character, a drifter named Nada,
joins the resistance but learns very quickly that the aliens have no
compunction in obliterating anyone who discovers their secret presence. So he
and fellow resistance fighter/friend Frank go on the run together, with a
mission to stop the aliens at all cost.
Both They
Live and The Arrival examine this
theme very efficiently, and both make absorbing viewing, so much so that I
would be hard-pressed to choose a favourite among them. Both are certainly well
worth viewing, my one qualification being that They Live contains a fight scene between Nada and Frank that is not so much extended as seemingly near-eternal. Indeed, their slugfest goes on for SO long that after watching it for quite some while without any end to it in sight, I seriously began to feel that I could probably have a shave, prepare and eat a meal, and possibly even go out for the day, only to return home that evening and find that they were STLL fisticuffing one another - enough already! Make up and move on, PLEASE!!!
Incidentally, They Live began life as a short story entitled 'Eight O'Clock in
the Morning', written by American sci-fi author/cartoonist Radell Faraday 'Ray'
Nelson and first published in the November 1963 issue of The Magazine of Fantasy and Science Fiction. This in turn inspired
Nelson to co-write with American painter/cartoonist Bill Wray a second story, 'Nada',
which was published in the April 1986 issue of an American sci-fi anthology
comic book entitled Alien Encounters.
Following this, John Carpenter purchased the rights to both stories, from which
They Live was duly conceived – and
the rest, as they say, is movie history.
And here is an
official trailer for They Live on
YouTube, containing this movie's most famous and much-memed scene, in which
Nada dons the special sunglasses for the very first time and is shocked to discover
a whole new and hitherto entirely-unsuspected real world opening up all around
him! Classic!
Rowdy
Roddy Piper as Nada in They Live,
ready to take on the aliens – and win! (© John Carpenter/Alive Films/Larry
Franco Productions/Universal Pictures/Carolco Pictures Pictures
– reproduced here on a strictly non-commercial Fair Use basis for
educational/review purposes only)
Sunday, September 13, 2020
HELL COMES TO FROGTOWN
Publicity
poster for Hell Comes To Frogtown (© Donald
G. Jackson/R.J. Kizer/New World Pictures)
On 18 May 2020, I watched my
newly-purchased DVD of a classic B-movie sci-fi romp entitled Hell Comes To Frogtown. Directed by Donald
G. Jackson and R.J. Kizer, it was originally released in 1988, and what a
wonderfully weird movie it proved to be!
As I soon discovered, the Hell in its
title is not a place but a person, Sam Hell (played by professional wrestler and
sometime actor 'Rowdy' Roddy Piper), who turns out to be a con wanted by the
law for all manner of escapades, not least of which is his propensity for
procreation on a grand scale - but that actually works in his favour.
This is because the movie is set in a
post-apocalyptic Earth in which what remains of its human population is mostly
sterile as a result of the massive omnipresent radiation pollution. Fertile
women are few, but fertile men with high sperm counts are even fewer. So, what
passes for a local government offers Hell a full pardon for all of his varied
crimes as long as he will, and with the government's full blessing, become
biblical, i.e. go forth and multiply – albeit under the close watch of two
non-nonsense female agents, Spangle (a scientist) and Centinella (a military guard
escort).
First of all, however, he and they must
team up to rescue some fertile (and hence extremely valuable) ladies recently
kidnapped by a gang of mutants and taken by them to their domicile, a shanty
dubbed Frogtown, because that's what its inhabitants are – radiation-induced
humanoid frogs. And that's just the beginning – things soon get a whole lot
stranger, and sexier (the Dance of the Three Snakes readily comes to mind – but
please don't ask what the Three Snakes are!), hence this movie's salacious
reputation.
Yet in my opinion its reputation actually
far surpassed its reality, because this movie proved to be surprisingly tame
overall, despite having been given a 15 Certificate. Put another way – if its makers
truly considered it to be extremely saucy and close to the edge, they had
clearly never seen any of Britain's Carry
On films or, especially, its Confessions
films, that's all I can say! Robin Askwith would certainly have more than risen
to the task of showing how a Sam Hell-type character should be portrayed,
that's for sure!
Nevertheless, Hell Comes To Frogtown is undeniably an amusing, lighthearted
sci-fi parody, reminiscent of the Flesh
Gordon take-offs of the original Flash
Gordon franchise. It's certainly a fun, undemanding way to pass 83 minutes
of movie-watching time, not to mention all of the extras contained on the Special
Edition DVD version that I watched (and which may be what raised its overall rating certificate from 15 to 18).
If you have never watched Hell Comes To Frogtown and are wondering
what you may have missed, click here to watch
a very refined, understated little trailer for it on YouTube, and you'll soon find out!
And to view a complete listing of all of my
Shuker In MovieLand blog's other film reviews and articles (each one instantly
accessible via a direct clickable link), please click HERE!
Front
cover artwork from my official Hell Comes
To Frogtown DVD (© Donald G. Jackson/R.J. Kizer/New World Pictures)
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