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Showing posts with label Tim Burton. Show all posts
Showing posts with label Tim Burton. Show all posts

Sunday, April 14, 2024

CABIN BOY

 
Official American DVD of Cabin Boy (© Adam Resnich/Tim Burton/Touchstone Pictures/Tim Burton Productioms/Skellington Productioms/Buena Vista Pictures Distribution – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

It's not often that either a Disney movie or an offbeat fantasy movie entirely escapes my attention, which makes the film that I watched last night on the British retro TV channel Talking Pictures rather special, because it is both a Disney/Touchstone movie AND an offbear fantasy movie yet was previously wholly unknown to me.

Directed and written by Adam Resnick, co-produced by Tim Burton, and released in 1994 by Buena Vista Pictures, the movie in question was entitled Cabin Boy.

Its titular character begins the movie as a petulant, thoroughly-obnoxious spoiled brat named Nathanial Mayweather (played by Chris Elliott), son of a zillionaire and newly graduated from colleage, who is meant to board a luxurious ship to take him to his father's plush hotel in Hawaii. Instead, his insulting treatment of a village local (a pseudonymously-credited David Letterman) sees him deliberately guided onto the wrong vessel.

Namely, a sleazy fishing boat whose rough-and-ready crew, skippered by the grizzly-mannered (and looking!) Captain Greybar (Ritch Brinkley), are setting far out to sea for three months in order to catch fish and have no time for a horrified Nathanial's hysterical histrionics once he discovers this awful truth.

 
Nathanial (Chris Elliott) and Trina (Melora Walters) in Cabin Boy (© Adam Resnich/Tim Burton/Touchstone Pictures/Tim Burton Productioms/Skellington Productioms/Buena Vista Pictures Distribution – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Thanks to his desperate but disastrous attempt to redirect their boat towards Hawaii, however, they all find themselves heading instead to a mysterious ill-omened sea zone named Hell's Bucket, containing an equally-dreaded island.

In revenge, Greybar and his crew make Nathanial serve them as their cabin boy, albeit with predictably preposterous results. Both en route to the island and upon arrival there, Nathanial and the crew find themselves confronting all manner of outlandish outsiders.

They include everything from a sex-starved six-armed woman named Calli (a sly nod to Ray Harryhausen's Sinbad antagonist Kali), a scowling scolding ginormous aerial cupcake (designed by Tim Burton and voiced by Jim Cummings), the fishing boat's female figurehead (Rikki Lake) who comes alive at the most unexpected moments, a belligerent iceberg monster (as in a belligerent monster actually composed of an iceberg!), and a half-man half-shark deepsea denizen named Chocki who takes pity upon hapless, hopeless Nathanial, rescuing him from assorted maritime perils, and played, incongruously, by none other than Hollywood's erstwhile song-and-dance musicals star Russ Tamblyn!

Nor is that all. Nathanial mistakenly 'rescues' from the waves what turns out to be a round-the-world swimming competitor in the shapely shape of Trina (Melora Walters), thereby disqualifying her. Unsurprisingly, Trina is initially resentful of Nathanial's well-meaning yet nonetheless calamitous action, but as the movie's romantic interest for him, she eventually falls for his goofy, bumbling charm.

 
Calli, played by Ann Magnusson (© Adam Resnich/Tim Burton/Touchstone Pictures/Tim Burton Productioms/Skellington Productioms/Buena Vista Pictures Distribution – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Needless to say, by the end of the movie Nathanial's experiences have transformed him into a sharing, caring kinda guy, and everyone lives happily ever after – except for a vengeful giant named Mulligan (Mike Starr), that is. Mulligan is the aggrieved husband of Calli, with whom Nathanial had lately travered his rite of passage into manhood.  Not surprisingly, Mulligan is hardly best pleased about this, but he finds himself belted in every sense of the word by the newly-invigorated Nathanial in a bold, unselfishly brave bid to save his fellow shipmates from Mulligan's ire.

Cabin Boy is every shade of zany imaginable (and then some!), with Elliott giving a riotously funny performance as Nathanial, amply augmented by countless sight gags and amusing asides – I loved it!

To experience a salty snippet of the maritime mayhem awaiting you in Cabin Boy, be sure to click here to watch an official trailer for this movie on YouTube.

Finally: to view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 
Confronting the iceberg monster (© Adam Resnich/Tim Burton/Touchstone Pictures/Tim Burton Productioms/Skellington Productioms/Buena Vista Pictures Distribution – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

 

 

Wednesday, November 29, 2023

THE NIGHTMARE BEFORE CHRISTMAS

 
Publicity poster for The Nightmare Before Christmas (© Henry Selick/Tim Burton/Touchstone Pictures/Skellington Productions/Buena Vista Pictures Distribution – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

My movie watch on 11 October 2023 (I couldn't wait until 31 October, a more suitable date for watching a Halloween-relevant film like this one) was actually a rewatch – of one of my all-time favourite animated musical films. Namely, Tim Burton's supremely spooky stop-motion masterpiece The Nightmare Before Christmas (or Tim Burton's The Nightmare Before Christmas, to give it its full official title).

Directed by Henry Selick, conceived and co-produced by Tim Burton from his original 1980s story-poem, and released in 1993 by Walt Disney Studio's Buena Vista Pictures (followed by a 2006 re-release in 3D by Walt Disney Pictures), The Nightmare Before Christmas has as its central character the charismatic, enigmatic, Gothic-garbed, and eponymously-skeletal Jack Skellington (voiced when speaking by Chris Sarandon).

Jack is the Pumpkin King, the perennially popular Leader of the perpetually phantasmal, ghoulish realm of Halloween Town (cue this film musical's first song, 'This is Halloween'). Lately, however, he has become bored of his realm's annual Halloween festival (cue the poignant, melancholic song 'Jack's Lament'), and seeks something new, something different. So Fate duly if unexpectedly obliges him, when Jack accidentally enters the perpetually festive, joyful realm of Christmas Town and becomes enraptured by what he sees, hears, and senses there (cue the movie's most famous song, 'What's This?', sung in amazement by Jack when he encounters and explores the wonders of Christmas Town – click here to listen to and view it as it appears in the film).

Inspired immeasurably with unconscionable cheer, Jack decides to bring Christmas – and Santa Claus (voiced by Ed Ivory after first choice Vincent Price had to drop out through ill health) – to Halloween Town. Like so many good intentions, however, Jack's don't go according to plan, and although they don't lead to Hell, they do lead to Halloween Town's dreaded bogeyman, Oogie Boogie (voiced and sung by Ken Page) when this evil entity (an animate sack filled with hundreds of creepy-crawly bugs!) captures poor Santa and threatens to do bad things to him – very bad things!! Moreover, like so many of the most memorable Disney villains, Oogie Boogie has one of the best songs in the movie – namely, the self-explanatory 'Oogie Boogie's Song' (and here it is), staged in a dazzlingly psychedelic setting.

Meanwhile, it's up to Jack, assisted by Frankensteinian rag doll and love interest Sally (Catherine O'Hara), created from spare parts by the sinister, hyper-controlling mad scientist Doctor Finkelstein (William Hickey) to be his compliant daughter but who only has eyes for Jack (cue 'Sally's Song'), together with all of the other Halloween Town inhabitants (including Jack's ghostly but seriously cute glowing-nosed pet dog Zero), to rescue Santa Claus (or Sandy Claws, as Jack and co all mistakenly call him!) and restore him as well as everything else to how it all used to be and needs once more to be in both Towns – no easy task!

The Nightmare Before Christmas is painstakingly detailed, immensely inventive, and visually spectacular, but this incredible dark fantasy-themed movie is enhanced still further by the suitably eerie music and almost a dozen songs composed for it by Danny Elfman – who also provides the singing voice of Jack.

 
Wearing my Jack Skellington t-shirt, from The Nightmare Before Christmas (© Henry Selick/Tim Burton/Touchstone Pictures/Skellington Productions/Buena Vista Pictures Distribution / photo © Dr Karl Shuker – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

I'm not a massive Burton fan – quite frankly, I find his obsessive pre-occupation with darkness and death somewhat morbid and not a little disturbing and depressing at times – but this movie is truly amazing to watch and listen to, a perfect example of the very special cinematic magic that no other medium can even begin to conjure forth.

Indeed, The Nightmare Before Christmas was actually nominated for an Academy Award for Best Visual Effects (losing out to Jurassic Park); and was accorded the coveted #1 position by voters for a 2008 listing by the film review website Rotten Tomatoes of the Top 25 Best Christmas Movies (click here to access the entire listing and check through its 25 ranked entries, film by film).

Although there have been thoughts by Disney ever since 2001 about producing a sequel to this movie, but in either CGI animation or live–action format rather than stop-motion again, nothing has materialized; ditto re a recently-expressed wish by its original director, Henry Selick, to produce a prequel, revealing how Jack became the Pumpkin King. Moreover, earlier this present month, November 2023, Burton was quoted in an Empire magazine interview article (click here to read it) as saying that he has no wish to revisit the movie, either via sequels or reboots.

So with the exception of its appearances in certain video games, it looks as if we shall have to content ourselves with re-experiencing the one and only visit to Halloween Town and Jack Skellington that is currently (and may well ever be) available – The Nightmare Before Christmas. But as this is such an eminently rewatchable movie, one that reveals new delights each and every time that we return to it, this is not so terrible a hardship as might otherwise be the case.

And if you would like to pay a visit to Halloween Town right now, be sure to click here to watch an official trailer on YouTube for The Nightmare Before Christmas.

Finally: to view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 
The front and back covers of my copy of the definitive book on this movie – Tim Burton's Nightmare Before Christmas: The Film – The Art – The Vision, written by Frank Thompson, with a foreword by Tim Burton, and packed throughout with countless beautiful full-colour illustrations as well as the film's complete song lyrics (© Frank Thompson/Roundtable Press Books/Disney Enterprises, Inc. – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Wednesday, March 2, 2022

9

 
My official UK DVD of 9 (© Shane Acker/Relativity Media/Lux Animation/Focus Features/Universal Pictures – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

On 7 January 2022, I watched a spectacular computer-animated sci fi feature film with only the slightest of titles – 9 – but which was anything but slight in terms of its content and scope.

Directed by Shane Acker (upon whose earlier, Oscar-nominated, 11-min animated short, 9, this movie-length treatment was based), and released in 2009 by Universal Pictures under the Focus Features name, 9 was co-produced by Tim Burton, but is very different from his 'normal' death-obsessed works.

Beginning in an alternate 1930s Earth, 9 has as its titular character the ninth in a series of small, numbered, ragdoll-like homunculi known as stitchpunks. These have come to life following the death of their scientist creator in a grim, fearful post-apocalyptic world, for they collectively contain his soul.

The scientist had transferred it into the stitschpunks via alchemy, in a last attempt to right the terrible wrong that had resulted when an exceedingly powerful sentient machine, 'the BRAIN', invented by him to bring about world peace, was hijacked by the military for purposes of war instead. This had resulted in the BRAIN being transformed into the Fabrication Machine, which duly created other, deadly sentient machines that wiped out not just humanity but also every other living organism on Earth.

With the passing of the years, most of the machines eventually cease to function too, and the stitchpunks elude the final few by surviving in hiding – until one of them, 9, inadvertently brings the original BRAIN back to life. This mechanical entity in turn swiftly reanimates other killing machines, and also seeks to suck out the life force of the stitchpunks in order to fuel its own continuing existence. The movie presents their perilous mission to destroy the BRAIN and restore those stitchpunks that it has successfully drained.

The animation in 9 is absolutely astonishing in both design and execution, the sense of poignancy and pathos pervading the entire movie is almost palpable in its intensity. As for the highly individualistic stitchpunks, with their own very different personalities, they are voiced by the likes of Elijah Wood (stitchpunk #9), Christopher Plummer (#1), Martin Landau ('#2), and Jennifer Connelly (#7).

As for their enemies: one particular mechanical foe, known as the Seamstress and resembling a huge hooded cobra but sporting a series of insectoid limbs on its thorax, plus an abdomen that can unzip itself to engulf its victims and then sew itself back together, is truly horrifying! (Do I detect the twisted touch of Burton?) Click here to view it in all its gruesomely gory glory!

I won't provide spoilers as to how successful or otherwise the nine stitchpunks prove to be in their desperate but determined endeavours to save not only themselves but also the entire planet itself. However, the closing scene in 9 subtly yet also very skillfully offers a genuinely uplifting sensation of hope for the future of Earth, and the return of life to it, by focusing almost in passing upon the reappearance of some of its smallest subjects, in every sense. Think The War of the Worlds

9 is a truly fantastic – and fantastical – animated movie that I'm surprised has not attracted much more attention and acclaim than it has done (perhaps because it received a PG-13 rating in the USA and a 12 rating in the UK, whereas animated features aimed at family viewing generally receive nothing more stringent than a PG rating?). And to see what I mean, be sure to click here to watch an official 9 trailer on YouTube.

To view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.