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Showing posts with label giant spiders. Show all posts
Showing posts with label giant spiders. Show all posts

Tuesday, November 15, 2022

KLUMPOK & THE YELLOW MONSTER OF SUNDRA STRAIT – A COUPLE OF SPECTACULAR SCI FI MOVIES...IF ONLY THEY COULD GET MADE, THAT IS!

 
Stunning artwork from 'Klumpok' in Stranger Than People, and the deadly globe-encapsulated yellow monster of Sundra Strait as once again depicted in spectacular artwork from Stranger Than People (both images © YWP – reproduced here on a strictly non-commercial, educational Fair Use basis for review purposes only)

We've all read novels or short stories that we've felt sure would make marvelous movies, but which for one reason or another have never been selected by any film-maker to do so. This present Shuker In MovieLand blog article focuses upon two such works – a couple of short stories that I have long felt certain would transfer very effectively indeed from the typewritten page to the cinematic big screen but which, tragically, will almost certainly never do so, as their source is a nowadays exceedingly obscure, long-forgotten book from the 1960s. Yet it is one that made a huge impact upon me as a youngster. Its title? Stranger Than People – and indeed it was!

This fascinating  book is a compendium of famous true-life and fictitious mysteries – and here is what I wrote about it in the introduction to one of my own compendia of mysteries, Dr Shuker’s Casebook (2008):

It is well known that my passion for cryptozoology was ignited by the 1972 Paladin paperback reprint of Dr Bernard Heuvelmans’s classic tome On the Track of Unknown Animals, bought for me as a birthday present by my mother when I was around 13 years old. However, my interest in mysterious phenomena as a whole stemmed from an even earlier present – a copy of Stranger Than People, an enthralling compendium of mysteries from fact and fiction, published in 1968 by YWP, and aimed at older children and teenagers, which I saw one day in the Walsall branch of W.H. Smith when I was 8 or 9 years old, and was duly purchased for me as usual by my mother.

Within its informative, beautifully-illustrated pages I read with fascination – and fear – about Nessie and the kraken, vampires and werewolves, the Colossus of Rhodes and Von Kempelen’s mechanical chess player, dinosaurs and the minotaur, witches and zombies, yetis and mermaids, leprechauns and trolls, Herne the Hunter and Moby Dick, giants and the cyclops, feral children, the psychic powers of Edgar Cayce, and lots more. It even included two original – and quite superb - sci-fi short stories: ‘Klumpok’, about giant ant-like statues found on Mars and what happened when one of them was brought back to Earth; and ‘The Yellow Monster of Sundra Strait’, in which a giant transparent globe containing an enormous spider-like entity rises up out of the ocean; plus a thrilling (and chilling) fantasy tale, ‘Devil Tiger’, featuring a royal but malevolent weretiger that could only be killed with a golden bullet.

Needless to say, I re-read the poor book so many times that it quite literally fell apart, and was eventually discarded by my parents. After I discovered its loss, I spent many years scouring every bookshop for another copy, but none could be found. Not even Hay-on-Wye – world-famous as ‘The Town of Books’ with over 40 secondhand bookshops – could oblige. A few years ago, however, the Library Angel was clearly at work, because one Tuesday, walking into the bric-a-brac market held on that day each week in my home town of Wednesbury, on the very first stall that I approached I saw a near-pristine copy of Stranger Than People! Needless to say, I bought it, and to this day it remains the only copy that I have ever seen since my original one.

Tragically, however, this superb book did not appear to have had a very large original print run, was never reprinted, and as noted earlier it is nowadays long-forgotten and very scarce. Indeed, due to this book’s great rarity today, it occurred to me that few people will have been fortunate enough to have ever read those marvellous, original short science-fiction stories from it that I mentioned above, yet which remain among my own personal favourites within that genre and which, equally, I remain convinced would form the basis of excellent sci fi movie treatments.

 
My much-treasured second copy of Stranger Than People (© YWP/Dr Karl Shuker – reproduced here on a strictly non-commercial, educational Fair Use basis for educational/review purposes only)

Consequently, after almost 50 years and for the very first time anywhere on the internet, utilising the Fair Dealing/Fair Use convention I was delighted to be able to rectify this sad situation a while ago by presenting two of them on one of Shuker In MovieLand's sister blogs, The Eclectarium of Doctor Shuker, in the strict context of non-commercial educational/review purposes.

So for any of you reading this article of mine here at Shuker In MovieLand but for some inexplicable reason have never visited my Eclectarium before (shame on you, shame, I say!), just click here to access scans in the form of readily-readable enlargements of the original story and picture pages for 'Klumpok' from Stranger Than People, and here for those for 'The Yellow Monster of Sundra Strait' (and yes, it is spelled 'Sundra', not 'Sunda', in the story, although whether by accident or design I cannot say).

I hope that you enjoy encountering the giant ant gods of Klumpok and the Sundra Strait's globe-encapsulated spider monster just as much as I did – and still do – and afterwards perhaps you will also share my own continuing conviction that if any film-maker seeking original, never-previously-filmed sci fi stories should chance upon these two, they would surely repay both financially and critically however much time and effort were duly spent in achieving their greatly-deserved, long-overdue movie metamorphoses.

To view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 

Saturday, August 27, 2022

RED SONJA

 
Publicity poster for Red Sonja (© Richard Fleischer/Dino De Laurentiis Corporation/MGM-UA Entertainment Co/Thorn EMI Screen Corporation – reproduced here on a strictly non-commercial Fair Use basis for review/educational purposes only)

My movie watch on 23 July 2022, screened on the British retro TV channel Legend (formerly the Horror Channel), was the mid-1980s swords & sorcery movie Red Sonja, which I'd somehow never got around to watching before. After finally watching it, however, I realised why.

Directed by Richard Fleischer, Red Sonja features a title character who first appeared in the Robert E. Howard fantasy short story The Shadow of the Vulture (1934) but was not incorporated into his Conan the Barbarian/Hyborian Age universe until some time later, by Marvel Comics. Released in 1985 by MGM/UA and Thorn EMI, in the opinion of many viewers and critics alike this is definitely one of those classic "so bad that it's good" films.

Red Sonja stars Danish-born former model Brigitte Nielsen (in her first screen role, aged 21) as the eponymous flame-haired Amazonesque warrior who seeks to kill the evil Queen Gedren of Berkubane (Sandahl Bergman, who was actually the first choice to play Sonja!). Gedren has slaughtered Sonja's family and devastated villages near and far in her insane quest to rule the world, driven by her theft of The Talisman. This is an all-powerful green-glowing orb, but which will destroy the world if not destroyed itself – an additional perilous task that Sonja therefore needs to accomplish.

Assisting Sonja's quest is Lord Kalidor, played by Arnold Schwarzenegger – who was signed up by Dino de Laurentiis to merely play a cameo, but his role was eventually expanded to such a degree that he ended up as co-star, with top billing! Also, his character is deemed by many to be Conan the Barbarian himself, but given a different name here in order to avoid copyright issues.

Also worth mentioning are the precocious, intensely annoying little princeling Tarn (Ernie Reyes Jr) and his much put-upon underling Falkon (Paul L. Smith). Following their rescue by Sonja and Kalidor after Gedren's destruction of Tarn's kingdom, their principal purpose is to provide some brief intervals of light/comic relief between the plenitude of battles and bloodshed.

Speaking of which: both lead stars are superb in the numerous action scenes, and are ably augmented throughout by a stirring soundtrack composed by none other than the maestro of movie music himself, Ennio Morricone, as well as spectacular costumes designed by Danilo Donati. Conversely, their dialogue, and in particular their presentation of it, imho contains about as much expression as the Speaking Clock! As for their non-action acting scenes: not so much Woden as wooden is what I might have said if this fantasy movie had been based upon traditional Norse or Teutonic mythology – but it wasn't, so I won't.

Ah well, at least there is a scene featuring a menacing spider the size of a large dog, and being duly treated as a pet by Gedren, which I assumed was a foreshadowing of arachnid aggression later on in the movie. Sadly, however, no – it never appears again, although one baddie in black attire is referred to as a black spider by one of the goodies.

True, there is a belligerent, frenetic mechanical water beast that behaves rather like a sea serpent on speed, but otherwise this fantasy film is decidedly deficient in monsters. Not one for crypto-fans, therefore, but an entertaining, highly humorous watch for me nonetheless, albeit for reasons probably not envisaged by its creators and contributors!

If you'd like to join forces with Sonja and Kalidor on their noble quest, albeit only for the length of an official Red Sonja movie trailer, be sure to click here to watch one on YouTube.

To view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 

Monday, August 1, 2022

MONSTER HUNTER (2020)

 
Publicity poster for Monster Hunter (© Paul W.S. Anderson/Constantin Films/AB Digital Pictures/Tencent Pictures/Toho/Sony Pictures/Screen Gems – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

On 27 February 2022, my movie watch, which had been recommended to me a few days previously by Facebook friend Thomas Finley, was the fairly recent movie Monster Hunter (not to be confused with various earlier, entirely unrelated films of the same title), a live-action/CGI big-screen sci fi/fantasy extravaganza based upon the eponymous series of Capcom video games.

Directed, written, and co-produced by Paul W.S. Anderson, and released in 2020 through Screen Gems by Sony Pictures, Monster Hunter is all about a squad of U.N. soldiers who are seeking some missing troops in an unnamed desert but become  caught up in a bizarre lightning storm that acts as a space-time portal, instantaneously transporting them to another world in another dimension. There, all but one are swiftly killed by various terrifying monsters, including a ferocious and unutterably ginormous sand-dwelling horned horror aptly called the diablos (depicted in the Monster Hunter publicity poster opening this present review of mine), and an immense cave-dwelling horde of hideous gigantic arachnid-like monstrosities called nerscyllas that skin-crawlingly combine the worst features of spiders and scorpions, which is really saying something!

The squad's sole survivor, U.S. Army Ranger Captain Natalie Artemis (played by Milla Jovovich), teams up with a lone indigenous warrior, Hunter (Tony Jaa), and they duly help each other survive the terrrors that this (very) strange new world contains before eventually reaching Hunter's home.

Just before they do, incidentally, Artemis and Hunter encounter a placid herbivorous herd of very sizeable but thoroughly delightful beasts named apceros that resemble highly improbable hybrids of giant tortoises and ankylosaur dinosaurs. Also making an appearance is a far less placid plesiosaur-like water monster that lunges ferociously at an unsuspecting Artemis when she approaches the deceptively tranquil expanse of water in which it is concealed. Despite being highly amused by her shock reaction, Hunter swiftly uses one of his arrows to good effect to save the day – and Artemis!

Once inside the shelter of Hunter's abode, Artemis makes the grudging acquaintance of (after being temporarily imprisoned by) a non-nonsense hunter leader known as The Admiral (Ron Perlman), plus his humanoid feline cook (Aaron Beelner), who is a member of the sentient Palico species. Together with Hunter, this odd couple endeavour to set things right by assisting Artemis to defeat a monstrous dragon-like fire-breather called a rathalos that loses no time in threatening their very existence.

This daunting winged monster is the guardian of an immensely tall, mysterious edifice in the desert known as the Sky Tower, which was built long ago by the first civilization to develop the technology for travelling between worlds via the portals.

Unfortunately, however, the rathalos not only survives their attempt to slay it, but also actually manages to enter our own world via an open portal. Trouble! Fortunately, Artemis and Hunter are able to pursue it into our world too via the same portal, and successfully dispatch it – but then a second, black dragon, known as Gore Madala, appears!

Monster Hunter boasts some spectacular special effects, especially those showcasing its array of very unusual and highly original monsters (except for the rathalos, which looks very like the wyvern Smaug from The Hobbit movie trilogy). However, no sooner has it presented its climactic rathalos confrontation and the arrival of Gore Madala than the movie abruptly ends! Clearly, therefore, this is intended as the first film in a future movie franchise.

For me, Monster Hunter is great fun, and no doubt for other creature feature fans too, as long as you are not arachnophobic, that is – those nerscyllas truly are the stuff of nightmares, especially as they rear their young by impregnating living humans with them, in best/worst Alien tradition (and graphically shown in the film). You have been warned!

If you can stomach it (sorry!), be sure to click here to watch an action-packed official trailer for Monster Hunter on Y0uTube – or (if you hate spiders, scorpions, or both) don't!

To view a complete comprehensive listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 
Photographic still depicting a nerscylla, from Monster Hunter (© Paul W.S. Anderson/Constantin Films/AB Digital Pictures/Tencent Pictures/Toho/Sony Pictures/Screen Gems – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

 

Sunday, February 6, 2022

JUNGLE RUN

 
Publicity poster for Jungle Run (© Noah Luke/The Asylum – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Having bought its DVD a few hours earlier that same day from a local shop, on 17 January 2022 I watched the recent creature feature Jungle Run, from The Asylum's prolific stable of such flicks.

Directed by Noah Luke, and released in 2021, Jungle Run stars Richard Grieco, and is all about two young adults, Amanda (played by Alyson Gorske) and Scott (Jack Pearson) – aided and abetted by a motley boat crew led by their captain/jungle guide, Lebecq (Wade Hunt Williams) – who are seeking their lost archaeologist father Nicholas (Richard Grieco). And so with intrepid determination, they journey boldly along the Amazon river (but actually filmed in Florida's Everglades) and bravely through the unexplored depths of the Amazon rainforest (actually Florida's Myakka River State Park), where every creature seems oddly but unnervingly hell-bent upon killing them!

To be fair, and cryptozoologists in particular take note here, this movie does feature some hugely entertaining monsters (with the emphasis definitely on huge!). These include several human-swallowing giant anacondas, humungous tree-dwelling spiders that drop down onto their unsuspecting human victims below with disconcerting accuracy, a massive killer vine tree that lassos its victims with lethal lianas, and gargantuan Venus flytraps that put Audrey II to shame (click here if that last comparison eludes you!).

Nor should we omit to mention a colossal shoal of uncommonly bloodthirsty piranhas that even strip off the wood and steel from the bottom of the boat ferrying their human targets in their frenzied attempts to tear them apart, plus a veritable army of small but deadly arrow-poison frogs that do their best to bite and bedevil them like a pack of chomping chihuahuas.

Biggest and most belligerent of all, however, is the rainforest's enormous and highly antagonistic guardian, the curupira – portrayed here as a monstrous humanoid reptilian entity with a big flaming head (literally!) who is not best pleased with humanity's continuing deforestation onslaughts, and has therefore turned all of the forest's wildlife murderously against them. There is also some interwoven supernatural hokum surrounding a mysterious glowing-green crystalline rock known to the rainforest's tribes as the Heart of the Jungle, which holds the key to the potency of the curupira.

Overall, however, the plot is very predictable – in time-honoured monster movie tradition, one by one the secondary characters all get picked off via a diversity of different but no less dramatic means by the assorted terrors that await on and in the Amazon, until only the principal ones remain standing (just!). In short, exactly what we would – and all that we should – expect from such a movie.

Equally, Asylum's CGI monsters, while more than adequate, do not compare to those created by bigger film companies (a common criticism aimed at Asylum by its critics and detractors). But, again to be fair, neither does the special-effects budget that it can afford. Consequently, imho it does very well with what funds it can employ.

Having said that, however, I do feel obliged to say to those viewers expecting to encounter in this movie the spectacular Angkor Wat-like ancient palace depicted on its UK DVD's cover – stop expecting, because said palace doesn't appear in it, anywhere, at any time, ever (unless I watched an edited version?).

Notwithstanding this notable non-appearance, however, as a major fan of the creature feature subgenre of B-movies I thoroughly enjoyed Jungle Run, as indeed I do with most of Asylum's often unfairly denigrated monster movies. So if you'd like to know more about it, be sure to click here to watch an official Jungle Run trailer on YouTube.

To view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 
Front cover of the official UK DVD for Jungle Run (© Noah Luke/The Asylum – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)