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Showing posts with label documentary. Show all posts
Showing posts with label documentary. Show all posts

Wednesday, February 8, 2023

BLACK LEATHER JACKET

 
Astride my first Honda CX500 motorbike during the early 1990s and  wearing my self-customised black leather jacket (BLJ) that was officially displayed at the Walsall Leather Museum's BLJ Exhibition in autumn 1993, and which was also featured in Mike Phillips's article 'Black Art', on the subject of the BLJ, published by the British monthly motorbike magazine Bike in its October 1993 issue (© Dr Karl Shuker)
 
It's been quite a while since this blog last journeyed there from MovieLand, so it's high time that I crossed the border once again to pay another of my occasional visits to TV Land – and for what better reason than to indulge my lifelong passion for all things appertaining to motorbikes, via my recalling here today a very memorable 1980s TV docu-movie that led to one of my very own motorbike jackets becoming both a star exhibit and a media star!
 
  
Full cover of my official sell-thru VHS video of Black Leather Jacket (© Nick Mead/Paul Cowan/Mick Farren/Channel 4 Television Corporation/Polygram Music Video – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

As a biker ever since my late teens in the 1970s, my habitual and favourite garment of choice to wear has always been the classic black leather jacket, of the motorbike style beloved by bona fide, would-be, and on-screen bikers alike, not to mention rock stars, fashion models, punks, and rebels of every shape, size, and description.

So when while browsing in a bookshop one Sunday afternoon during the mid-1980s in the Warwickshire, England, town of Stratford-upon-Avon, world-famous as the birthplace of one William Shakespeare, I chanced upon a fairly large brand-new hardback book entitled The Black Leather Jacket, sporting an embossed, textured front cover designed to look and even feel like the real thing, and documenting the fascinating history of this truly iconic item of clothing, I lost no time whatsoever in purchasing it and reading it from cover to cover as soon as I arrived back home.

Written by English journalist Mick Farren and first published in 1985, this engrossing book reveals and extensively illustrates via a comprehensive selection of very distinctive glossy b/w photographs how its titular subject, the black leather jacket (or the BLJ, as I'll refer to it hereafter for convenience), has evolved and diversified since its origin during the early years of the 20th Century.

The BLJ's progress is succinctly chronicled from the standard unadorned predecessors worn by the likes of WW1 fighter pilots and the Gestapo of WW2, through the classic 1950s Brando/Dean rebel styles, plus all manner of self-customised be-studded and badged-to-the-hilt individualized versions worn by outlaw bikers and 1960s rockers/greasers, to the slashed and safety-pinned punk gear of the 1970s, and the somewhat emasculated 1980s fashionista formats more at home on the catwalk than the highway, as well as every conceivable variation in between. So too is its enduring intrinsic appeal, traditionally daring, dark, even dangerous, regardless of its ever-changing external form. But that's not all.

 
The front cover of the original hardback First Edition of Mick Farren's book The Black Leather Jacket that I still own today (© Mick Farren/Plexus Publishing – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

In 1988, Channel 4, a terrestrial TV station in the UK, produced and screened a 60-minute docu-movie directly inspired by Mick Farren's book but simply entitled Black Leather Jacket (i.e. no The). It was directed by Nick Mead, co-written by him with Farren, and produced by Paul Cowan. Narrated by big-screen bad boy Dennis Hopper of Easy Rider fame, Black Leather Jacket stayed faithful to the contents of Farren's book but also featured clips from a number of classic movies relating in some way to the BLJ and motorbikes (such as the cult 1970s British biker/horror movie Psychomania, which I've reviewed here).

Moreover, it contained an excellent rock soundtrack too, including contributions from famous BLJ-wearing performers such as Elvis Presley, The Clash, Gun, L.A. Guns, Zodiac Mindwarp (remember them?), Velvet Underground, Kiss, and Motorhead – whose song 'Black Leather Jacket' was used as this documentary movie's title song, accompanying clips of a teenage BLJ/Levis-wearing Michael Vartan (in his on-screen debut) riding a Harley through a neon-lit city centre at night and duly dubbed Motorcycle Boy in the credits.

Knowing full well that I would definitely enjoy Black Leather Jacket just as much as I'd done with the original book, I had the foresight to video-record it for future re-watchings at home, which was just as well, because I never remember it being re-screened. Tragically, however, as was so often the case with all but the highest-quality recordable blank videocassettes available back then, the picture quality of my precious recording of it diminished with repeated viewings down through the years.

Imagine my surprise but delight, then, when just over a year ago I discovered not only that Black Leather Jacket had actually been released as an official sell-thru video but also that there was a single example of it listed at that very same time on ebay, on a Buy It Now basis. So that's what I did, and just a few days later I was able to watch and enjoy it in its original top-quality viewing state all over again. But that's still not all.

Just a few miles from where I live in the West Midlands, England, is the prestigious Walsall Leather Museum, devoted to the history of the town of Walsall's long-established leather trade and manufacturing, and during summer 1993 I learnt from a friend who worked there that they were planning to stage a temporary public exhibition devoted exclusively to the BLJ!

 
Mini-poster produced by the Walsall Leather Museum advertising its BLJ Exhibition (© Walsall Leather Museum – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

As a local biker who had painstakingly customized several of my motorbike BLJs in the classic 1960s rocker/greaser style (having been inspired to do so after seeing and admiring original examples worn by various bikers featured in clips from Black Leather Jacket of London's famous biker/rocker-associated Ace Cafe and 59 Club during that decade), it occurred to me that the Museum may perhaps be interested in including one of them in their exhibition as a representation of that particular BLJ genre. So one afternoon shortly after learning about their plans, I rode there on my motorbike wearing one of them – and was delighted when they were indeed very keen to exhibit it!

 
My official invitation to the preview of the Walsall Leather Museum's BLJ Exhibition in autumn 1993 (© Dr Karl Shuker/Walsall Leather Museum – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

The Walsall Leather Museum's 'The Black Leather Jacket' Exhibition ran from 4 September to 14 November 1993 inclusive, but I was invited with other contributors to an exclusive preview, and when I turned up on my motorbike (wearing a different BLJ), there on display in a tall glass showcase was my very own jacket, fully labeled and fully visible from all angles. If pride is a sin, then I sinned very extensively that day!

 
The official b/w photograph of me wearing my exhibited BLJ that appeared alongside my jacket's showcase in the Walsall Leather Museum's BLJ Exhibition, and which also appeared in Mike Phillips's article 'Black Art', on the subject of the BLJ, published by the British monthly motorbike magazine Bike in its October 1993 issue (© Walsall Leather Museum (photographer unknown to me) – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Moreover, perhaps because of how eyecatching it was, bristling all over with badges, studs, chains, and above all else its full official Easyriders back patch, it was my BLJ that attracted much of the media attention relating to the Museum's BLJ Exhibition.

 
Report from The Observer (London) for 5 September 1993 re the Walsall Leather Museum's BLJ Exhibition, and including a close-up photo of my exhibited BLJ – please click to enlarge for reading purposes (© The Observer/Guardian Media Group – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

It was pictured in a number of newspaper reports (including one by none other than London's eminent weekly broadsheet The Observer, the world's oldest Sunday newspaper, founded in 1791, and in which I am referred to as "a local biker with a vivid sense of design" - love it!), as well as in a special BLJ article entitled 'Black Art' authored by motorbike journalist Mike Phillips and published in the October 1993 issue of Bike, Britain's best-selling motorbike magazine.

 
Birmingham Post newspaper's 2-page magazine supplement report for 29 September 1993 re the Walsall Leather Museum's BLJ Exhibition, which includes a name-check and quote from me (arrowed in red) on p.4 and a picture of a model wearing my exhibited BLJ on p. 5 – please click to enlarge for reading purposes (© Birmingham Post/Reach plc – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

My exhibited BLJ also featured in two local TV news reports, and in one of them it was even worn by Midlands Today presenter Richard Ulridge while sitting astride a motorbike and then riding off on it, with my BLJ's Easyrider back patch fully displayed (click here to view both of these TV news reports – and my BLJ! – on YouTube).

 
Photo-still from the Midlands Today news report re the Walsall Leather Museum's BLJ Exhibition depicting presenter Richard Ulridge wearing my exhibited BLJ (© Dr Karl Shuker/Midlands Today – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

If you'd like to watch Black Leather Jacket, most of it can currently be viewed free of charge on YouTube, where it has been uploaded in nine parts (but, oddly, Part 3 is seemingly missing), though the resolution quality is not great. Click here to begin viewing with Part 1.

Finally: To view a complete chronological listing of all of my Shuker In MovieLand blog's other film/TV reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 
Photo-still from the Midlands Today news report re the Walsall Leather Museum's BLJ Exhibition depicting the back of my exhibited BLJ as worn by presenter Richard Ulridge (© Dr Karl Shuker/Midlands Today – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

 

Saturday, November 20, 2021

ABBA: THE MOVIE

 
Full cover of the official UK sell-thru VHS videocassette of Abba: The Movie (© Lasse Hallström/Polar Music/Reg Grundy Productions/Warner Bros/MGM-UA Home Video – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

When we think of Swedish super-group Abba on the big screen, we automatically call to mind the smash-hit movie Mamma Mia! (2008) and its 2018 sequel Mamma Mia! Here We Go Again. They in turn were inspired by the mega-successful stage musical Mamma Mia! (1999).

Almost eclipsed by these productions' immense, ongoing global success, however, is a much earlier, nowadays largely overlooked cinematic appearance by Abba, dating back to the late 1970s and very succinctly entitled Abba: The Movie. I've owned it on videocassette since the mid-1990s but without ever having viewed it; so to mark the quintessential quartet of popular music's (very) long-awaited recent renaissance, I decided on 14 November 2021 to finally watch this virtually forgotten film (especially in the USA, where it has rarely been screened on TV and never released in home video format) – which I did.

Directed and co-written (with Robert Caswell) by Lasse Hallström, with Abba's own manager Stig Anderson and Australian media mogul Reg Grundy as its producers, and released by Warner Bros in 1977, Abba: The Movie takes the form of a semi-documentary (or, to be more precise, a rockumentary concert film) that focuses upon Abba's massively successful 1977 Australian tour. Released at the same time as their fifth studio album 'Abba: The Album', it showcases many of their live concert performances Down Under, featuring hit after hit from their already vast catalogue of songs, including many from the new album, as well as earlier stalwarts such as 'Money, Money, Money', 'Fernando', 'Dancing Queen', 'Mamma Mia', 'S.O.S.', and 'Waterloo'.

Their very enjoyable concert performances are, in stark contrast, linked by a slender, increasingly tedious episodic storyline featuring imho a no less tedious fictional DJ's ever more persistent yet unremittingly dull attempts to secure an interview with the band for his radio show before they depart Australia. During the course of the movie, this charisma-free character stalks them doggedly from one major city to another, including Sydney, Perth, Adelaide, and Melbourne.

Worthy of note is that this film marked the movie debut of none other than famous Australian martial artist Richard Norton, who played a fitness trainer and bodyguard to Abba, but did not receive an on-screen credit for his role. Nevertheless, it evidently helped to provide him with an effective big-screen launch pad, as he would go on to star in many major Hong Kong action flicks as well as becoming a stuntman and martial arts instructor.

Apart from a sumptuous soft-focus dream scene, accompanied by the melodious strains of 'The Name of the Game' (a #1 single in the UK, and taken from 'Abba: The Album'), Abba: The Movie is very low-key compared to the spectacular production values of the two much later movies and (especially) the stage musical. Nevertheless, Abba fans adored it back in the day, capturing and immortalising as it did (and still does) the formidable foursome while they were still young and at the pinnacle of their success, without an avatar anywhere in sight!

If you'd like to view an official USA trailer for Abba: The Movie on YouTube, please click here; and if you are fluent in French, you can watch a French-dubbed version of the entire movie free of charge on YouTube here.

To view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.

 

Wednesday, September 2, 2020

DAVID BECKHAM: INTO THE UNKNOWN

Publicity poster for David Beckham: Into The Unknown (© Anthony Mandler/David Beckham/BBC – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

Time for another one-day-only transformation from Shuker In MovieLand to Shuker In TVLand, in order to present and preserve here the following TV mini-review by me – a shorter version of which I originally wrote exactly 5 years ago today [2 September 2015] (where does the time go??).

After buying it in December 2014 as a birthday present to myself, on 2 September 2015 I finally got around to watching the DVD of the 2014 BBC TV documentary/travelogue David Beckham: Into The Unknown, the DVD containing additional footage not shown on TV.

It records an epic trek by Becks and three mates (Derek White, football agent David Gardner, and movie director Anthony Mandler, who also directed this TV documentary) that begins with them flying 5000 miles from London to Rio de Janeiro in Brazil, then travelling from Rio to Manaus in the very heart of the Amazon rainforest, which is where their decidedly rigorous, far-from-comfortable jungle trek truly begins.
 
From Manaus they journey by motorbike and boat, guided by locals but battling the elements and confronting all manner of rainforest fauna, as they visit the tiny community of Angelin, cross the Rio Negro to the banks of the Rio Cuieras, then journey even deeper into the dense Amazon jungle in order to meet up with the remote Yanomami native tribe.

Once there, one of the highlights of their stay is their hapless albeit enthusiastic attempt to educate the Yanomami in the fundamental rules of the Beautiful Game. Equally memorable was the puzzled reaction of the Yanomami to the array of tattoos sported by Becks, and their no less perplexed, vain attempts to wipe them off this mysterious 'painted man' visiting them!

David Beckham: Into The Unknown is a very watchable, feel-good programme thanks to the natural, unaffected charm and likeability factor of one of the celebrity world's genuinely nice guys. I was also well impressed by how proficient Becks is as a biker – nice one!! And here is a trailer giving a concise insight of their experiences along the way – did I mention spiders, snakes, and a leaking boat?

And to view a complete listing of all of my Shuker In MovieLand blog's other film/TV reviews and articles (each one instantly accessible via a direct clickable link), please click HERE! 

The official DVD of David Beckham: Into The Unknown that I own (© Anthony Mandler/David Beckham/BBC – reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)