Imagine a young man inoculated with every deadly disease known to humanity in a manner ensuring that he himself is immune to all of them and shows no outward sign of being such a horrific carrier, but also ensuring that anyone who touches or is touched by his bare skin is fated to die within minutes – of everything, suffering from and killed by all of the countless diseases with which the young man has been inoculated.
Imagine, still further, that the diabolical germ-warfare scientist responsible for this heinous feat, a Professor Turner (played by David Swift), is hiring the young man out to the highest bidder, to use him for whatever dreadful, murderous purpose the bidder chooses. In return, Turner is paid in gold – lots and lots of gold, to which he is totally addicted, like a small-screen Auric Goldfinger. The young man therefore serves not only as a veritable Grim Reaper, with his touch of death, but also as a veritable King Midas, with his deadly touch creating gold, literally, for Turner.
Little wonder, then, that Turner has dubbed the young man Midas. And now a princess is about to become the next unsuspecting victim of Midas and Turner – unless Steed, Gambit, and Purdy can stop them!
Yes
indeed, this episode – 'The Midas Touch', directed by Robert Fuest – is my all-time favourite from the
mid-1970s, 2-series British secret agent TV show The New Avengers, created by Brian Clemens and Albert Fennell, constituting an official direct sequel to the very popular 1960s show The Avengers, creatwd by Sydney Newman, with Patrick MacNee starring
as the archetypal super-suave British secret agent John Steed in both of them, but ably assisted in this new incarnation by Purdy (Joanna Lumley) and Gambit (Gareth Hunt).
I watched 'The Midas Touch' on 28 August 2023, for the first time since it was originally screened almost 50 years ago, and it was just as good as I'd remembered. Here's Midas (played by Gilles Millinaire) in his usual form (below) and in his 'Masque of the Red Death'-lookalike costume (above). Vincent Price would have approved, I'm sure.
Click here to watch an excerpt from this episode's opening scene in which Midas makes his deadly debut at a costume party, dressed as the Red Death (inspred by the famous Edgar Allan Poe short story), to plunge his hands into the punch bowl from which all of the guests are innocently imbibing its now-lethal contents.
Finally: to view a complete chronological listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE, and please click HERE to view a complete fully-clickable alphabetical listing of them.
