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Sunday, September 27, 2020

GRACE QUIGLEY

The front cover and spine of my official big box ex-rental VHS videocassette of Grace Quigley (© Anthony Harvey /Golan-Globus Productions/The Cannon Group - reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)

On 23 May 2020, after countless years of owning but never watching this movie, I finally got around to viewing my big box ex-rental VHS videocassette of the American black comedy Grace Quigley.

Directed by Anthony Harvey and released in 1985, Grace Qigley stars Katharine Hepburn in the title role (which was also her last leading film role) of an elderly widow living alone and deeply unhappy in a down-at-heel New York apartment who hires a young hit man named Seymour Flint (played by Nick Nolte) to end her misery by killing her. However, when several of her equally aged and aimless acquaintances learn of this, they too want to hire Seymour to end their own lives. As a result, Grace decides that she has found a reason to live after all, having become galvanised into setting up a business in which she seeks out willing paying clients for Seymour to dispose of mercifully – but, surprise surprise, things do not go according to anyone's plans.

With a plot like that, and even when suspending disbelief throughout, Grace Quigley is always going to teeter along a very thin and shaky line between outright farce and disturbing distastefulness (a fair few real-life serial killers of sick, elderly people come to mind when viewing something like this). Added to it is the problem that whereas the first two thirds of the movie are at least tightly paced and plotted, the final third veers crazily and uncontrollably, with earlier carefully-laid conventions abruptly uprooted and reversed for no apparent reason.

In my opinion, it's almost as if the screen writers and director had no idea how to bring this movie to an end, so simply threw every tried and trusted option at it in the hope that somehow it would all turn out well – even that hoariest of old chestnuts a frenetic car chase is included. Ultimately, the movie simply peters out, which in hindsight may be no bad thing. Hepburn was famous in earlier decades for classic screwball comedies, but this much later one is more oddball than screwball.

Also mystifying is why the artwork portraying Hepburn and Nolte on the front cover of my official Grace Quigley VHS videocassette's case bears no resemblance to any scene featuring in the actual movie itself. True, there is a very brief scene in which Hepburn does ride pillion on a motorbike ridden by Nolte, but Nolte is wearing an entirely different outfit in the artwork from the version that he wears in the movie scene, and Hepburn is certainly not carrying a gun in the movie scene. All very odd, but only to be expected, I suppose, with a film as strange as this one.

An official trailer for the decidedly quirky Grace Quigley can be viewed here on YouTube.

And to view a complete listing of all of my Shuker In MovieLand blog's other film reviews and articles (each one instantly accessible via a direct clickable link), please click HERE!

The full cover of my official big box ex-rental VHS videocassette of Grace Quigley (© Anthony Harvey /Golan-Globus Productions/The Cannon Group - reproduced here on a strictly non-commercial Fair Use basis for educational/review purposes only)




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